Remember a few weeks back when we explored the Theater and had no pictures? Yeah, so when Ben's camera came in a week after that (I've been putting off writing about this for awhile now) we decided to make a second attempt at the theater, this time documenting the whole adventure.
We knew we were pressing our luck so we were bent on making this a sure shot straight to the roof while picturing the remnants of last trip. Except this time, things went a bit differently than planned.
The back where we snuck in the first time.


We struck with some reverse graffiti (grime writing, clean tagging, dust tagging, etc) The second picture is kind of hard to distinguish, but it reads "D4H" (standing for Dog 4 Horse, a moniker of The Dog Faced Horse Man) with a dog face Ben drew.
The only problem was the back was locked.

So we resorted to the front.

You have to keep in mind how dark all of this was for us. We were just traveling through almost a jet black darkness. This being our first photoed mission I was hesitant to even take pictures, because before we discovered night vision we were using flash (and still do dependent on the risk factor). To anyone who might get wise to us being there a camera flash would be an instant give away to our local.



Here comes the problem and the reason you don't "return to the scene of the crime" : As we ascended the stairs to the final door opening to the top catwalk we heard some people coming. Now we are trapped with the only way to go being up. Ben and I silently sprint through the door, over the catwalk, and up the spiral staircase. Two workers rigging stage lights appear on the catwalk below us. We are shaken but remain as still and quiet as possible. They haven't noticed us yet and we realize the only safe bet is to get as far up as possible and pray they don't come that high. Over their sparse conversation we make our way up the ladder to the rafters below the roof, timing each move with a uproar in talking.
Eventually the two men move down to the stage where they begin working pulley s and ropes. Not knowing what to do, Ben and I wait up in the rafters, hiding our figures with the beams and clutching onto pillars to blend in. The phrase 'heat rises' never became so evident as when we were up there literally sweating it out for about 15 minutes now. I stayed put and listened to their conversation which began to take a turn for the worse. They had to work a rig up high and were coming up. Footsteps resonated in the stairwell then creaked past the first catwalk. The spiral stair case began to clamor under the workers weight.
Now I'm freaking out. Ben and I squeeze behind a pillar as close to the wall as we could. That one spot, as poor of a hiding spot as it was, was the only thing concealing our sight from theirs. The lights in the rafters flicker on as the men arrive at the highest catwalk 20 feet away from us. My mind is racing. What am I going to do if they see us? Do we stand any chance? Should we just come out now and throw our selves at the feet of their mercy? Wait. Sometimes you need to just breathe and wait. Fight or flight will kick in when it needs to, if it needs to. A grueling 10 more minutes went by as sweat dripped down our backs and the men teetered on the edge of our capture.
They left the catwalk and relief flowed through our bodies. To an extent, because the appeared a second later on stage and we still had to sneak our way down through two catwalks a ladder and a spiral staircase.
Here's the scenario -
one guy on a catwalk directly across from us on the other side of the stage
one guy on the stage working on rigging ropes
Ben is the first to go. He makes it to the first catwalk and down the ladder. Now comes the tricky part - the guy on the catwalk on other side of the stage can be obscured by the numerous curtains, but Ben must crouch down and keep tabs on the guys location as he moves so he can position himself at an angle where the curtain blocks him. This only allows about a 2 foot space for Ben to stand in at any given time. Watching above, I see Ben jolting back and forth and I wonder how the hell we got in this situation. But he gets to the door and begins to beckon me. He's watching the guy across the way, but he can't see the guy on the stage. So here I am going down this exposed spiral stair case as silently as possible keeping tabs on my guy and then trying to find the perfect moment when Ben gives me the signal and I'm clear both ways. I catch that moment and sprint. We clear the doors and took a few turns to allude our little worker friends and get out of there.

-In the rafters-

-We felt this poster was very relevant. (We took the copy that was on the back and it is now proudly hanging in our dorm)

Till next time theater. We won't go down that easy.
Stay tuned for 'The Theater pt. III' as Ben makes a risky solo attempt at the theater heist.